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Stephan Jones

East meets West: Stephan Jones brings Chicago to California

California and Chicago have little in common, particularly when it comes to interior design. Homeowners in The Golden State tend to favour boho and coastal styles, while those in the Windy City veer towards a more urban or traditional aesthetic. As an interior designer who lives and works across both, Stephan Jones drifts seamlessly between them, bringing elements of the East to the West, and vice versa.

Jones got into design in Chicago in the 90s. His original dream was to be an architect, “but I was too social and not disciplined enough”, he admits. With his sights re-focused on interior design, he cut his teeth working for prominent firms The Environments Group, Jack Lenor Larsen and Richar Interiors before getting his big break with Bruce Gregga Interiors in 1999. “Bruce is an old master in the business, so my education was working for him,” Jones says. “Bruce and his firm worked at all levels of the project, from architecture to the interiors. Quality, detail and proportion were key. It was a wonderful and eye-opening time and it helped me integrate my own design point of view into reality.”

After eight years, Jones branched out on his own, picking up projects across the US in New York, Hawaii and, increasingly, California. With demand on the West Coast growing, and with the support of his husband, a professor at a university in Chicago, he made the leap and created a primary base in Los Angeles.

The California home of American interior designer Stephan Jones
Stephan Jones’ California home reflects his love of collecting interesting furniture and collectibles

A fresh start

Flying into the City of Angels in 2012, Jones brought with him a fresh approach to interior design. “Ever since I was working for Bruce, I’ve approached interiors as a collector. I’m always looking for unique and interesting items from different periods and styles which can all live together if you know how to do it,” he says.

Jones looks at each space “from the ground up”, starting with the furniture plan and adding layers, beginning at floor level. His secret weapon? Rugs. “I use antique or vintage rugs in both modern and traditional spaces. I love Khotans in particular because they hold a lot of tradition and yet there’s a modern quality to their design,” he says.

With the rug selected, he moves on to furniture. “I like to find interesting pieces like case goods, tables and chairs with some architecture or sculpture to them. I feel like a lot of upholstery just needs to be a foil to everything else, so I keep that pretty simple.” When it comes to finishes, however, it’s the opposite. “I love texture,” he explains. “Looking at my Napa Valley project, there’s texture, pattern and colour, but none of it knocks you over the head. It’s about finding harmony with different elements and patterns.”

I like to make sure that the foundation is right before layering anything on top of it because if the background isn’t right then it’s just like putting lipstick on a pig – Stephan Jones

As well as decorating, Jones often advises clients on interior architecture. “I like to make sure that the foundation is right before layering anything on top of it because if the background isn’t right then it’s just like putting lipstick on a pig,” he says. “Of course, I’m not doing this in the dark – collaboration is key. There’s certainly client input and I love working with the tradespeople and contractors to problem solve.”

The bonus of Jones working so closely with the wider team is heightened flexibility. “Nothing about design, especially when you’re doing renovations, is linear,” he says. “So many people think that what we do is so black and white, but it’s not. It’s like painting a picture. You keep layering and layering until you’re finished. I approach design from a collecting point of view and also from an artist’s point of view. I could drive some clients crazy!”

A Napa Valley home designed by American interior designer Stephan Jones
Stephan Jones works with clients on interior architecture as well as decoration

Setting up shop

In spring 2020, empowered by his love of collecting interesting objects and furniture, Jones opened his first storefront space in West Hollywood – just in time for the Covid-19 pandemic to shut it down. However, as 2021 gets underway, the undeterred designer is optimistic that his shop – located on Santa Monica Boulevard – is exactly what people will be looking for in 2021. “Clients want a ‘collected’ feel now. People don’t want something off the shelf anymore,” he says.

Unlike in Chicago, in LA it’s not uncommon for an independent interior designer to have their own storefront. Competition is high so having a physical space can be a way for designers to establish their brand and attract clients. “It’s an interesting city – it can be very challenging,” Jones says. “There’s a big pool of talent out here so this is part of my strategy to dial into the LA scene and let people know that I’m here. I’m still a bit of an outsider because I haven’t been here 20 years and most of my projects tend to be in Santa Barbara, Northern California and Oregon.”

Los Angeles has influenced my sense of light and colour. I’ve developed a real sense of ‘groundedness’ – Stephan Jones

For Jones, it’s also about showcasing interesting pieces he’s collected around the world. He got hooked on collecting after touring Belgium with a commissionaire in 2014: “She took me to a bunch of places in Lille, Bruges, Antwerp and Brussels.” Over the ensuing years, he built up an enviable collection which could no longer fit in his home. “I guess I got the buying bug,” he says. “Eventually, I found myself thinking ‘oh that’s great, maybe I’ll find somebody that will be interested in this’ – and in time, it turned into a shop.”

On a recent trip back to Chicago, where Jones still has a number of clients, he realised that California has taught him as much about design as he has taught it. “Los Angeles has influenced my sense of light and colour,” he says. “I also think, especially in terms of collecting, that I’ve developed a real sense of ‘groundedness’. I have a more organic aesthetic now and I feel much more confident in that.”

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